Friday, January 27, 2012

The Andrews Sisters

The Andrews Sisters were a highly successful close harmony singing group of the swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews (July 6, 1911 – May 8, 1967 Age 55), soprano Maxene Angelyn Andrews (January 3, 1916 – October 21, 1995 Age 79), and mezzo-soprano Patricia Marie "Patty" Andrews (born February 16, 1918 Age 93). Throughout their long career, the sisters sold well over 75 million records (the last official count released by MCA Records in the mid-1970s). Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of rhythm and blues or jump blues.
The Andrews Sisters' harmonies and songs are still influential today, and have been covered by entertainers such as Bette Midler, the Puppini Sisters and Christina Aguilera. The group was inducted into the Vocal Group Hall of Fame in 1998.


 Patty, the youngest and the lead singer of the group, was only seven when the group was formed, and just 12 when they won first prize at a talent contest at the local Orpheum Theatre in Minneapolis, where LaVerne played piano accompaniment for the silent film showings in exchange for free dancing lessons for herself and her sisters. Once the sisters found fame and settled in California, their parents lived with them in a Brentwood estate in Los Angeles until their deaths. Several cousins from Minnesota followed them west. The sisters returned to Minneapolis at least once a year to visit family and friends and/or to perform.hey started their career as imitators of an earlier successful singing group, the Boswell Sisters. After singing with various dance bands and touring in vaudeville with the likes of Ted Mack, Leon Belasco, and comic bandleader Larry Rich, they first came to national attention with their recordings and radio broadcasts in 1937, most notably via their major Decca record hit, Bei Mir Bist Du Schön (translation: To me, you are beautiful),[2] originally a Yiddish tune, the lyrics of which Sammy Cahn had translated to English and which the girls harmonized to perfection. They followed this success with a string of best-selling records over the next two years and they became a household name by 1940While the sisters specialized in swing, boogie-woogie, and novelty hits with their trademark lightning-quick vocal syncopations, they also produced major hits in jazz, ballads, folk, country-western, seasonal, and religious titles, being the first Decca artists to record an album of gospel standards in 1950. Their versatility allowed them to pair with many different artists in the recording studios, producing Top 10 hits with the likes of Bing Crosby (the only recording artist of the 1940s to sell more records than The Andrews Sisters), Danny Kaye, Dick Haymes, Carmen Miranda, Al Jolson, Ray McKinley, Burl Ives, Ernest Tubb, Red Foley, Dan Dailey, Alfred Apaka, and Les Paul. In personal appearances, on radio and on television, they sang with everyone from Rudy Vallee, Judy Garland and Nat "King" Cole to Jimmie Rodgers, Andy Williams, and The Supremes.Maxene, Patty, and LaVerne appeared in 17 Hollywood films. Their first picture, Argentine Nights, paired them with another enthusiastic trio, the Ritz Brothers.[8] Universal Pictures, always budget-conscious, refused to hire a choreographer, so the Ritzes taught the sisters some eccentric steps. Thus, in Argentine Nights and the sisters' next film, Buck Privates, the Andrews Sisters dance like the Ritz Brothers.

   
Buck Privates, with Abbott and Costello, featured the Andrews Sisters' best-known song, "Boogie Woogie Bugle Boy". This Don Raye-Hughie Prince composition was nominated for Best Song at the 1941 Academy Awards ceremony. In 2001, the song was voted #6 on a list of 365 entries for Songs of the Century, having also returned to popularity via a 1973 rendition by Bette Midler.
Universal hired the sisters for two more Abbott and Costello comedies, and then promoted them to full-fledged stardom in B musicals. What's Cookin', Private Buckaroo, and Give Out, Sisters (the latter portraying the sisters as old ladies) were among the team's popular full-length films.
The Andrews Sisters have a specialty number in the all-star revue Hollywood Canteen (1944). They can be seen singing "You Don't Have to Know the Language" with Bing Crosby in Paramount's Road to Rio with Bob Hope, that year's highest-grossing movie. Their singing voices are heard in two full-length Walt Disney features ("Make Mine Music"[9] which featured Johnny Fedora and Alice Blue Bonnet, and "Melody Time", which introduced Little Toot, both of which are available on DVD today).
They recorded 47 songs with crooner Bing Crosby, 23 of which charted on Billboard, thus making the team one of the most successful pairings of acts in a recording studio in show business history. Their million-sellers with Crosby included "Pistol Packin' Mama", "Don't Fence Me In", "South America, Take It Away", and "Jingle Bells", among other yuletide favorites.
The sisters' popularity was such that after the war they discovered some of their records had actually been smuggled into Germany after the labels had been changed to read "Hitler's Marching Songs". Their recording of Bei Mir Bist Du Schön became a favorite of the Nazis, until it was discovered that the song's composers were of Jewish descent. Still, it did not stop concentration camp inmates from secretly singing it, this is most likely since the song was originally a Yiddish song "Bei Mir Bistu Shein", and had been popularized within the Jewish community before it was recorded as a more successful "cover" version by the Andrews sisters.
Along with Bing Crosby, separately and jointly, The Andrews Sisters were among the performers who incorporated ethnic music styles into America's Hit Parade, popularizing or enhancing the popularity of songs with melodies originating in Brazil, Czechoslovakia, France, Ireland, Israel, Italy, Mexico, Russia, Spain, Sweden, and Trinidad, many of which their manager chose for them.
The Andrews Sisters became the best-selling female vocal group in the history of popular music, setting records that remain unsurpassed to this day:
Early comparative female close harmony trios were the Boswell Sisters, the Pickens Sisters, and the Three X Sisters.

 http://en.wikipedia.org/wiki/The_Andrews_Sisters

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